- The Distinct Characteristics of Fascism and Prominant Fascist Leaders
- Contrast and Compare Cbt and Existential Therapy
- Humanistic Nursing
- God Is Dead
- Environmental Destruction: A Philosophical-Anthropological Perspective
- Postmoderntiy: a Break from Modernity
- The Character of Hamlet in William Shakespeare's Play
- The Vocation of the Business Leader: A Reflection
- Political Idelogies: Differences Between Liberalism and Conservatives
- The Debate over Healthcare in America
- Disputing the Canon
- Liberal Arts Breadth and My Education
- The Social and Personal Impediments Against Which Genius Has to Battle."
- Concepts of Team Management
- Billy Budd
- Business Ethics
- Western and Non Western Divinity
- Plato's 'The Last Days of Socrates': Phaedo, Wisdom, and the Soul
- Apollonian and Dionysian
- What It Means to Have Freedom
- Is Power Central to Understanding Politics?
- Medea and Nietzsche's Will to Power
- Mary Shelley's Frankenstein and Satanic-Promethean Ideals
- discovering individuality
- A Commentary on, and Partial Analysis of, Nietzsche's Thus Spoke Zarathustra, Part 4, with Especial Reference to Discourses 11 to 20
- Post-Traumatic Stress Disorder
- Euripides Support of Women’s Rights
- Philosophy Rejected
- Exegesis and Critique of Nietzsche’s Conception of Guilt In The Second Essay of On the Genealogy of Morality
- Macbeth and Lady Macbeth in Theory and Practice
- A Comparative Analysis of the Various Contemporary Theologies Presented by Paul Enns and Millard J. Erickson
- Jim Morrison; From Boy To Legend
- Unbearable Lightness of being
- Private Property
- Shrugging Off Positive: Ayn Rand
- The Hunter Becomes the Hunted in "The Most Dangerous Game" by Richard Connell
- Feminism in 'The Wizard of Oz'
- O'Neill's Concept of Tragic Vision in Reference to "Long Day's Journey Into Night"
- Philosophical Anthropology
- Isolation and Suffering in Poetry
- Absurdity Between Kafka and Camus
- An Overview of Postmodernism
- Dominance and Self-Control of a Psychopathic Cannibal
- Post 9/11 Racial Profiling of Muslim Americans
- To Live for God or for Meaning
- Stages of Human Nature
- French Existentialism: Albert Camus' 'Myth of the Sisyphus'
- The Philosophy of Suicide: Albert Camus vs. Arthur Schopenhauer
- Friedrich Nietzche
- Argument Paper
- Postmodernism and Social Praxis
- The Dual Nature of Man in Young Goodman Brown
- Review of Herbert Schlossberg's Book, Idols for Destruction: The Conflict of Christian Faith and American Culture
- Summary of "Is Google Making Us Stupid?" by Nicholas Carr
- The Need for Brutality in A Clockwork Orange
- Philosophy and Multiculturalism: Searle, Rorty, and Taylor
- The Lord of the Rings: Our Motivation in Committing Evil Acts
- Lord of the Flies
- Modernism in Literature
- The Trickster in Anne Rice's Interview with the Vampire
- Twain and the Damned Human Race
- Black Music and the Civil Rights Movement
- Exploring Existentialism and the Character Leanord in the Film, Memento
- Opposing Viewpoints on Depression
- Joseph Conrad's Heart of Darkness
- Yank’s Absurd Inheritance in The Hairy Ape
- Critical analysis on "A good man is hard to find"
- Hamlet Essay Holly Silm
- Hitler - A Method to His Madness
- Kosinski's Being There and the Existential Anti-Hero
- The Radical Nature of Social Contract Theorists
- Importance of Relationships
- Reflection Memo of 'Every Cook Can Govern'
- Aristotle vs. Hobbes: Equality.
- Perspectivism and Truth in Nietzsche’s Philosophy: A Critical Look at the Apparent Contradiction
- The Meaning of Life from Different Writers
- Trainspotting Film Analysis
- Cleanth Brooks's Essay Irony as a Principle of Structure
- Themes in Albert Camus' "The Plague."
- What is Existentialism?
On the Genealogy of Morals
A Polemical Tract
[This document, which has been prepared by Ian Johnston of Malaspina University-College, Nanaimo, BC, is in the public domain and may be used by anyone, in whole or in part, without permission and without charge, provided the source is acknowledged. Editorial comments and translations in square brackets and italics are by Ian Johnston; comments in normal brackets are from Nietzsche's text]
[Table of Contents for Genealogy of Morals]
Good and Evil, Good and Bad
These English psychologists whom we have to thank for the only attempts up to this point to produce a history of the origins of morality—in themselves they serve up to us no small riddle. In the way of a lively riddle, they even offer, I confess, something substantially more than their books—they are interesting in themselves! These English psychologists—what do they really want? We find them, willingly or unwillingly, always at the same work, that is, hauling the partie honteuse[shameful part] of our inner world into the foreground, in order to look right there for the truly effective and operative force which has determined our development, the very place where man's intellectual pride least wishes to find it (for example, in the vis inertiae[force of inertia] of habit or in forgetfulness or in a blind, contingent, mechanical joining of ideas or in something else purely passive, automatic, reflex, molecular, and completely stupid)—what is it that really drives these psychologists always in this particular direction?
Is it a secret, malicious, common instinct (perhaps one which is self-deceiving) for belittling humanity? Or something like a pessimistic suspicion, the mistrust of idealists who've become disappointed, gloomy, venomous, and green. Or a small underground hostility and rancour towards Christianity (and Plato), which perhaps has never once managed to cross the threshold of consciousness? Or even a lecherous taste for what is odd or painfully paradoxical, for what in existence is questionable and ridiculous? Or finally a bit of all of these—a little vulgarity, a little gloominess, a little hostility to Christianity, a little thrill, and a need for pepper? . . .
But people tell me that these men are simply old, cold, boring frogs, which creep and hop around people as if they were in their own proper element, that is, in a swamp. I resist that idea when I hear it. What's more, I don't believe it. And if one is permitted to hope where one cannot know, then I hope from my heart that the situation with these men could be reversed, that these investigators peering at the soul through their microscopes could be thoroughly brave, generous, and proud animals, who know how to control their hearts and their pain and who have educated themselves to sacrifice everything desirable for the sake of the truth, for the sake of every truth, even the simple, the bitter, the hateful, the repellent, the unchristian, the unmoral truth. . . . For there are such truths.—
So all respect to the good spirits that may govern in these historians of morality! But it's certainly a pity that they lack the historical spirit itself, that they've been left in the lurch by all the good spirits of history! Collectively they all think essentially unhistorically, in the traditional manner of philosophers. Of that there is no doubt. The incompetence of their genealogies of morals reveals itself at the very beginning, where the issue is to determine the origin of the idea and of the judgment "good."
"People," so they proclaim, "originally praised unegoistic actions and called them good from the perspective of those for whom they were done, that is, those for whom such actions were useful. Later people forgot how this praise began, and because unegoistic actions had, according to custom, always been praised as good, people then simply felt them as good, as if they were something inherently good."
We see right away that this initial derivation already contains all the typical characteristics of the idiosyncrasies of English psychologists—we have "usefulness," "forgetting," "habit," and finally "error," all as the foundation for an evaluation in which the higher man up to this time has taken pride, as if it were a sort of privilege of men generally. This pride should be humbled, this evaluation of worth emptied of value. Has that been achieved?
Now, first of all, it's obvious to me that from this theory the origin of the idea "good" has been sought for and established in the wrong place: the judgment "good" did not move here from those to whom "goodness" was shown! It is much more that case that the "good people" themselves, that is, the noble, powerful, higher-ranking and higher-thinking people felt and set themselves and their actions up as good, that is to say, of the first rank, in contrast to everything low, low-minded, common, and vulgar. From this pathos of distance they first arrogated to themselves the right to create values, to stamp out the names for values. What did they care about usefulness!
In relation to such a hot pouring out of the highest rank-ordering, rank-setting judgments of value, the point of view which considers utility is as foreign and inappropriate as possible. Here the feeling has reached the opposite of that low level of warmth which is a condition for that calculating shrewdness, that calculation by utility—and not just for a moment, not for an exceptional hour, but permanently. The pathos of nobility and distance, as mentioned, the lasting and domineering feeling, something total and complete, of a higher ruling nature in relation to a lower nature, to an "beneath"—that is the origin of the opposition between "god" and "bad." (The right of the master to give names extends so far that we could permit ourselves to grasp the origin of language itself as an expression of the power of the rulers: they say "that is such and such," seal every object and event with a sound and, in so doing, take possession of it.)
Given this origin, the word "good" was not in any way necessarily tied up with "unegoistic" actions, as the superstitions of those genealogists of morality tell us. Rather, that occurs for the first time with the collapse of aristocratic value judgments, when this entire contrast between "egoistic" and "unegoistic" pressed itself ever more strongly into human awareness—it is, to use my own words, the instinct of the herd which, through this contrast, finally gets its word (and its words). And even so, it took a long time until this instinct in the masses became ruler, with the result that moral evaluation got downright hung up and bogged down on this opposition (as is the case, for example, in modern Europe: today the prejudice that takes "moralistic," "unegoistic," "désintéressé" [disinterested] as equally valuable ideas already governs, with the force of a "fixed idea" and a disease of the brain).
Secondly, however, and quite separate from the fact that this hypothesis about the origin of the value judgment "good" is historically untenable, it suffers from an inherent psychological contradiction. The utility of the unegoistic action is supposed to be the origin of the praise it receives, and this origin has allegedly been forgotten: but how is this forgetting even possible? Could the usefulness of such actions at some time or other just stop? The case is the opposite: this utility has rather been an everyday experience throughout the ages, and thus something that has always been constantly re-emphasized. Hence, instead of disappearing out of consciousness, instead of becoming something forgettable, it must have pressed itself into the consciousness with ever-increasing clarity.
How much more sensible is the contrasting theory (which is not therefore closer to the truth), for example, the one which is advocated by Herbert Spencer: he proposes that the idea "good" is essentially the same as the idea "useful" or "functional," so that in judgments about "good" and "bad" human beings sum up and endorse the experiences they have not forgotten and cannot forget concerning the useful-functional and the harmful-useless. According to this theory, good is something which has always proved useful, so that it may assert its validity as "valuable in the highest degree" or as "valuable in itself." This path to an explanation is, as mentioned, also false, but at least the account itself is sensible and psychologically tenable.
I was given a hint in the right direction by this question: What, from an etymological perspective, do the meanings of "Good" as manifested in different languages really mean? There I found that all of them lead back to the same transformation of ideas, that everywhere "noble" or "aristocratic" in a social sense is the fundamental idea out of which "good" in the sense of "spiritually noble," "aristocratic," "spiritually high-minded," "spiritually privileged" necessarily develop—a process which always runs in parallel with that other one which finally transforms "common," "vulgar," and "low" into the concept "bad." The most eloquent example of the latter is the German word "schlect"[bad] itself—which is identical with the word "schlicht" [plain]—compare "schlectweg" [quite simply] and "schlechterdings" [simply]. Originally these words designated the plain, common man, but without any suspicious side glance, simply in contrast to the nobility. Around the time of the Thirty Years War approximately—hence late enough—this sense changed into the one used now.
In connection with the genealogy of morals, this point strikes me as a fundamental insight—that it was first discovered so late we can ascribe to the repressive influence which democratic prejudice in the modern world exercises over all questions of origin. And this occurs in the apparently objective realm of natural science and physiology, a point which I can only hint at here. But the sort of mischief this prejudice can cause, once it has become unleashed as hatred, particularly where morality and history are concerned, is revealed in the well-known case of Buckle: the plebeian nature of the modern spirit, which originated in England, broke out once again on its home turf, as violently as a muddy volcano and with the same salty, overloud, and common eloquence with which all previous volcanoes have spoken (1).
With respect to our problem—which for good reasons we can call a quiet problem, so refined that it directs itself only at a few ears—there is no little interest in establishing the point that often in those words and roots which designate "good" there still shines through the main nuance of what made the nobility feel they were men of higher rank. It's true that in most cases they perhaps named themselves simply after their superiority in power (as "the powerful," "the masters," "those in command") or after the most visible sign of their superiority, for example, as "the rich" or "the owners" (that is the meaning of arya, and the corresponding words in Iranian and Slavic). But they also named themselves after a typical characteristic, and that is the case which is our concern here.
For instance, they called themselves "the truthful"—above all the Greek nobility, whose mouthpiece is the Megarian poet Theogonis. The word developed for this characteristic—esthlos[fine, noble]—indicates, according to its root meaning, a man who is, who possess reality, who really exists. Then, with a subjective transformation, it indicates the true man as the truthful man. In this phase of conceptual transformation it became the slogan and catch phrase for the nobility, and its sense shifted entirely over to "aristocratic," to mark a distinction from the lying common man, as Theogonis takes and presents him, until finally, after the decline of the nobility, the word remains as a designation of spiritual nobility and, so to speak, becomes ripe and sweet.
In the word kakos[weak, worthless] as in the word deilos[cowardly] (the plebeian in contrast to the agathos[good, excellent]) the cowardice is emphasized. This perhaps provides a hint about the direction in which we have to seek the etymological origin for the multiple meanings of agathos. In the Latin word malus[bad] (which I place alongside melas [black]) the common man could be designated as the dark-coloured, above all as the dark-haired ("hic niger est" [this man is black]), as the pre-Aryan inhabitant of Italian soil, who stood out from those who became dominant, the blonds, that is, the conquering race of Aryans, most clearly through this colour. At any rate, the Gaelic race offers me an exactly corresponding example. The word fin (for example, in the name Fin-Gal), the term designating nobility and finally the good, noble, and pure, originally referred to the blond-headed man in contrast to the dusky, dark-haired original inhabitants.
Incidentally, the Celts were a thoroughly blond race. People are wrong when they link the traces of a basically dark-haired population, which are noticeable on the carefully prepared ethnographic maps of Germany, with any Celtic origin and mixing of blood, as Virchow does. It is much rather the case that in these places the pre-Aryan population of Germany emerged. (The same is true for almost all of Europe: essentially the conquered races finally attained the upper hand for themselves once again in colour, shortness of skull, perhaps even in the intellectual and social instincts: who can confirm for us that modern democracy, the even more modern anarchism, and indeed that preference for the "Commune," for the primitive form of society, which all European socialists now share, does not indicate a monstrous counter-attack and that the ruling and master race, the Aryans, is not being defeated, even physiologically?)
The Latin word bonus I believe I can explicate as "the warrior," provided that I am correct in tracing bonus back to an older word duonus (compare bellum[war] = duellum [war] = duen-lum, which seems to me to contain that word duonus). Hence, bonus as a man of war, of division (duo), as a warrior. We can see what constituted a man's "goodness" in ancient Rome. What about our German word "Gut" [good] itself. Doesn't it indicate "den Göttlichen" [the god-like man]? And isn't it identical to the people's (originally the nobles') name for the Goths? The basis for this hypothesis does not belong here.
From this rule that the concept of political superiority always resolves itself into the concept of spiritual priority, it is not really an exception (although there is room for exceptions), when the highest caste is also the priest caste and consequently for its total range of meanings prefers a scale of values which recalls its priestly function. So, for example, for the first time the words "pure" and "impure" appear as marks of one's social position and later a "good" and a "bad" develop which no longer refer to social position.
People should be warned not to take these ideas of "pure" and "impure" from the outset too seriously, too broadly, or even symbolically. All the ideas of ancient humanity are much rather initially to be understood to a degree we can hardly imagine as coarse, crude, superficial, narrow, blunt and, in particular, unsymbolic. The "pure man" is from the start simply a man who washes himself, who forbids himself certain foods which produce diseases of the skin, who doesn't sleep with the dirty women of the lower people, who has a horror of blood—no more, not much more!
On the other hand, from the very nature of an essentially priestly aristocracy it is clear enough how even here early on the opposition between different evaluations could become dangerously internalized and sharpened. And in fact they finally ripped open fissures between man and man, over which even an Achilles or a free spirit could not cross without shivering. From the very beginning there is something unhealthy about such priestly aristocracies and about the customary attitudes which govern in them, which turn away from action, sometimes brooding, sometimes exploding with emotion, as a result of which in the priests of almost all ages there have appeared debilitating intestinal illness and neurasthenia.
But what they themselves came up with as a remedy for this pathological disease—surely we can assert that it has finally shown itself, through its effects, as even a hundred times more dangerous than the illness for which it was meant to provide relief. Human beings are still sick from the after effects of this priestly naïveté in healing! Let's think, for example, of certain forms of diet (avoiding meat), of fasting, of celibacy, of the flight "into the desert" (Weir Mitchell's isolation, but naturally without the fattening up cure and overeating which follow it—a treatment which constitutes the most effective treatment for all hysteria induced by the ideals of asceticism): consider also the whole metaphysic of the priests—so hostile to the senses, making men so lazy and sophisticated—or the way they hypnotize themselves in the manner of fakirs and Brahmins—Brahmanism employed as a glass head and a fixed idea Consider finally the only too understandable and common dissatisfaction with its radical cure, with nothingness (or God—the desire for a unio mystica [mystical union] with God is the desire of the Buddhist for nothingness, nirvana—nothing more!).
Among the priests, everything becomes more dangerous—not only the remedies and arts of healing, but also pride, vengeance, mental acuity, excess, love, thirst for power, virtue, illness—although it's fair enough to add that on the foundation of this basically dangerous form of human existence, the priest, for the first time the human being became, in general, an interesting animal, that here the human soul first attained depth in a higher sense and became evil—and, indeed, these are the two fundamental reasons for humanity's superiority, up to now, over other animals.
You will have already guessed how easily the priestly way of evaluating could split from the knightly-aristocratic and then continue to develop into its opposite. Such a development receives a special stimulus every time the priest caste and the warrior caste confront each other jealously and are not willing to agree about the winner. The knightly-aristocratic judgments of value have as their basic assumption a powerful physicality, a blooming, rich, even overflowing health, together with those things which are required to maintain these qualities—war, adventure, hunting, dancing, war games, and in general everything which involves strong, free, happy action. The priestly-noble method of evaluating has, as we saw, other preconditions: these make it difficult enough for them when it comes to war!
As is well known, priests are the most evil of enemies—but why? Because they are the most powerless. From their powerlessness, their hate grows into something immense and terrifying, to the most spiritual and most poisonous manifestations. Those who have been the greatest haters in world history and the most spiritually rich haters have always been the priests—in comparison with the spirit of priestly revenge all the remaining spirits are hardly worth considering. Human history would be a really stupid affair without that spirit which entered it from the powerless.
Let us quickly consider the greatest example. Everything on earth which has been done against "the nobility," "the powerful," "the masters," "the possessors of power" is not worth mentioning in comparison with what the Jews have done against them—the Jews, that priestly people who knew how to get final satisfaction from their enemies and conquerors through a radical transformation of their values, that is, through an act of the most spiritual revenge. This was appropriate only to a priestly people with the most deeply rooted priestly desire for revenge.
In opposition to the aristocratic value equations (good = noble = powerful = beautiful = fortunate = loved by god), the Jews successfully and with a fearsome consistency dared to reverse it and to hang on to that with the teeth of the most profound hatred (the hatred of the powerless), that is, to "only those who suffer are good; only the poor, the powerless, the low are good; only the suffering, those in need, the sick, the ugly are the pious; only they are blessed by God; for them alone there is salvation. By contrast, you privileged and powerful people, you are for all eternity the evil, the cruel, the lecherous, insatiable, the godless—you will also be the unblessed, the cursed, and the damned for all eternity!" We know who inherited this Judaic transformation of values . . .
In connection with that huge and immeasurably disastrous initiative which the Jews launched with this most fundamental of all declarations of war, I recall the sentence I wrote at another time (in Beyond Good and Evil, p. 118)—namely, that with the Jews the slave condition in morality begins: that condition which has a two-thousand-year-old history behind it and which we nowadays no longer notice because, well, because it has triumphed.
But you fail to understand that? You have no eye for something that needed two millennia to emerge victorious? . . . That's nothing to wonder at: all lengthy things are hard to see, to assess. However, that's what took place: out of the trunk of that tree of vengeance and hatred, Jewish hatred, the deepest and most sublime hatred, that is, a hatred which creates ideals and transforms values—something whose like has never been seen on earth—from that grew something just as incomparable, a new love, the deepest and most sublime of all the forms of love. From what other trunk could that have grown? . . .
However, you must not make the mistake of thinking that this love arose essentially as the denial of that thirst for vengeance, as the opposite of Jewish hatred. No. The reverse is the truth! This love grew out of that hatred, as its crown, as the victorious crown extending itself wider and wider in the purest brightness and sunshine, which, so to speak, was seeking for the kingdom of light and height, the goal of that hate—aiming for victory, trophies, seduction—with the same urgency with which the roots of that hatred were sinking down ever deeper and more greedily into everything deep and evil.
Take this Jesus of Nazareth, the bodily evangelist of love, the "Saviour," who brought holiness and victory to the poor, to the sick, to the sinners. Was he not in fact seduction in its most terrible and irresistible form, the seduction and detour to exactly those Judaic values and new ideals? Didn't Israel in fact attain, with the detour of this "Saviour," with this apparent enemy to and dissolver of Israel, the final goal of its sublime thirst for vengeance? Isn't it part of the secret black art of a truly great politics of vengeance, a far-sighted, underground, slowly expropriating, and premeditated revenge, that Israel itself had to disown and nail to the cross the tool essential to its revenge before all the world, so that "all the world," that is, all Israel's enemies, could then swallow this bait?
On the other hand, could anyone, using the full subtlety of his mind, imagine a more dangerous bait? Something to match the enticing, intoxicating, narcotizing, corrupting power of that symbol of the "holy cross," that ghastly paradox of a "god on the cross," that mystery of an unimaginable and ultimate cruelty and self-crucifixion of god for the salvation of mankind? . . . At least it is certain that sub hoc signo [under this sign] Israel, with its vengeance and revaluation of the worth of all other previous values, has triumphed again and again over all other ideals, over all nobler ideals.
"But what are you doing still talking about more noble ideals! Let's look at the facts: the people have triumphed—or 'the slaves,' or 'the rabble,' or 'the herd,' or whatever you want to call them—if this has taken place because of the Jews, then good for them! No people had a more world-historical mission. 'The masters' have been disposed of. The morality of the common man has won. We may take this victory as a blood poisoning (it did mix the races up)—I don't deny that. But this intoxication has undoubtedly been successful. The 'Salvation' of the human race (namely, from 'the masters') is well under way. Everything is turning Jewish or Christian or plebeian (what do the words matter!).
The progress of this poison through the entire body of humanity seems irresistible—although its tempo and pace may seem from now on constantly slower, more delicate, less audible, more circumspect—well, we have time enough. . . From this point of view, does the church today still have necessary work to do, does it really have a right to exist? Or could we dispense with it? Quaeritur. [That's a question to be asked]. It seems that it obstructs and hinders the progress of this poison, instead of speeding it up? Well, that might even be what makes the church useful . . . Certainly the church is something positively gross and vulgar, which a more delicate intelligence, a truly modern taste resists. Should the church at least not be something more sophisticated? . . . Today the church alienates more than it seduces. . . Who among us would really be a free spirit if the church were not there? The church repels us, not its poison. . . . Apart from the church, we love the poison. . . "
This is the epilogue of a "free thinker" to my speech, an honest animal, who has revealed himself well—and he's a democrat. He listened to me up that that point and couldn't stand to hear my silence. But for me at this point there is much to be silent about.
The slave revolt in morality begins when the resentment itself becomes creative and gives birth to values: the resentment of those beings who are prevented from a genuinely active reaction and who compensate for that with a merely imaginary vengeance. While all noble morality grows out of a triumphant self-affirmation, slave morality from the start says No to what is "outside," "other," "a non-self". And this No is its creative act. This transformation of the glance which confers value—this necessary projection towards what is outer instead of back into itself—that is inherent in resentment. In order to arise, slave morality always requires first an opposing world, a world outside itself. Psychologically speaking, it needs external stimuli in order to act at all. Its action is basically reaction.
The reverse is the case with the noble method of valuing: it acts and grows spontaneously. It seeks its opposite only to affirm itself even more thankfully, with even more rejoicing. Its negative concept of "low," "common," "bad" is only a pale contrasting image after the fact in relation to its positive basic concept, intoxicated with life and passion, "We are noble, good, beautiful, and happy!" When the noble way of evaluating makes a mistake and abuses reality, that happens with reference to the sphere which it does not know well enough, indeed, the sphere it has strongly resisted learning the truth about: under certain circumstances it misjudges the sphere it despises—the sphere of the common man, the low people.
On the other hand, we should consider that even assuming that the effect of contempt, of looking down or looking superior, falsifies the image of the person despised, such distortion will fall short by a long way of the distortion with which the repressed hatred and vengeance of the powerless man mistakenly assault his opponent—naturally, in effigy. In fact, in contempt there is too much negligence, too much dismissiveness, too much looking away and impatience, all mixed together, even too much feeling of joy, for it to be capable of converting its object into a truly distorted monster.
We should not fail to hear the almost benevolent nuances which for a Greek noble, for example, lay in all the words with which he set himself above the lower people—how a constant type of pity, consideration, and forbearance is mixed in there, sweetening the words, to the point where almost all words which refer to the common man finally remain as expressions for "unhappy," "worthy of pity" (compare deilos[cowardly], deilaios[lowly, mean], poneros[oppressed by toil, wretched], mochtheros[suffering, wretched]—the last two basically designating the common man as a slave worker and beast of burden). On the other hand, for the Greek ear the words "bad," "low," "unhappy" have never stopped echoing a single note, one tone colour, in which "unhappy" predominates. That is the inheritance of the old, noble, aristocratic way of evaluating, which does not betray its principles even in contempt.
(Philologists might recall the sense in which oizuros[miserable], anolbos[unblessed], tlemon[wretched], dustychein[unfortunate], xymfora[misfortune] were used). The "well born" felt that they were "the happy ones"; they did not have to construct their happiness artificially first by looking at their enemies, or in some circumstance to talk themselves into it, to lie to themselves (the way all men of resentment habitually do). Similarly they knew, as complete men, overloaded with power and thus necessarily active, they must not separate action from happiness. They considered being active necessarily associated with happiness (that's where the phrase eu prattein [do well, succeed] derives its origin)—all this is very much the opposite of "happiness" at the level of the powerless, the oppressed, those festering with poisonous and hostile feelings, among whom happiness comes out essentially as a narcotic, an anesthetic, quiet, peace, "Sabbath", relaxing the soul, stretching one's limbs, in short, as something passive.
While the noble man lives for himself with trust and candour (gennaios, meaning "of noble birth" stresses the nuance "upright" and also probably "naïve"), the man of resentment is neither upright nor naïve, nor honest and direct with himself. His soul squints. His spirit loves hiding places, secret paths, and back doors. Everything furtive attracts him as his world, his security, his refreshment. He understands about remaining silent, not forgetting, waiting, temporarily diminishing himself, humiliating himself. A race of such men will necessarily end up cleverer than any noble race. It will value cleverness to a very different extent, that is, as a condition of existence of the utmost importance; whereas, cleverness among noble men easily acquires a delicate aftertaste of luxury and sophistication about it. Here it is not nearly so important as the complete certainly of the ruling unconscious instincts or even a certain lack of cleverness, something like brave recklessness, whether in the face of danger or of an enemy, or wildly enthusiastic, sudden fits of anger, love, reverence, thankfulness, and vengefulness, by which in all ages noble souls have recognized each other.
The resentment of the noble man himself, if it comes over him, consumes and exhausts itself in an immediate reaction and therefore does not poison. On the other hand, in countless cases it just does not appear, whereas in the case of all weak and powerless people it is unavoidable. The noble man cannot take his enemies, his misfortunes, even his bad deeds seriously for very long—that is the mark of a strong, complete nature, in whom there is a surplus of plastic, creative, healing power, which also can make one forget (a good example for that from the modern world is Mirabeau, who had no memory of the insults and maliciousness people directed at him, and who therefore could not forgive, because he just forgot). Such a man with one shrug throws off him all those worms which eat into other men. Only here is possible (provided that it is at all possible on earth) the real "love for one's enemy." How much respect a noble man already has for his enemies! And such a respect is already a bridge to love . . . In fact, he demands his enemy for himself, as his mark of honour. Indeed, he has no enemy other than one who has nothing to despise and a great deal to respect! By contrast, imagine for yourself "the enemy" as a man of resentment conceives him—and right here we have his action, his creation: he has conceptualized "the evil enemy,: "the evil one," and as a fundamental idea—and from that he now thinks his way to an opposite image and counterpart, a "good man"—himself!
We see exactly the opposite with the noble man, who conceives the fundamental idea "good" in advance and spontaneously by himself and from there first creates a picture of "bad" for himself. This "bad" originating from the noble man and that "evil" arising out of the stew pot of insatiable hatred—of these the first is a later creation, an afterthought, a complementary colour; whereas the second is the original, the beginning, the essential act of conception in slave morality.
Although the two words "bad" and "evil" both seem opposite to the same idea of "good," how different they are. But it is not the same idea of the "good"; it is much rather a question of who the "evil man" really is, in the sense of the morality of resentment. The strict answer to that is this: precisely the "good man" of the other morality, the noble man himself, the powerful, the ruling man, only coloured over, reinterpreted, and seen through the poisonous eyes of resentment.
Here there is one thing we will be the last to deny: the man who knows these "good men" only as enemies, knows them as nothing but evil enemies, and the same men who are so strongly held bound by custom, honour, habit, thankfulness, even more by mutual suspicion and jealousy inter pares[among equals] and who, by contrast, demonstrate in relation to each other such resourceful consideration, self-control, refinement, loyalty, pride, and friendship—these men, once outside where the strange world, the foreign, begins, are not much better than beasts of prey turned loose. There they enjoy freedom from all social constraints. In the wilderness they make up for the tension which a long fenced-in confinement within the peace of the community brings about. They go back to the innocent consciousness of a wild beast of prey, as joyful monsters, who perhaps walk away from a dreadful sequence of murder, arson, rape, and torture with exhilaration and spiritual equilibrium, as if they had merely pulled off a student prank, convinced that the poets now have something more to sing about and praise for a long time.
At the bottom of all these noble races we cannot fail to recognize the beast of prey, the blond beast splendidly roaming around in its lust for loot and victory. This hidden basis from time to time needs to be discharged: the animal must come out again, must go back into the wilderness,—Roman, Arab, German, Japanese nobility, Homeric heroes, Scandinavian Vikings—in this need they are all alike.
It was the noble races which left behind the concept of the "barbarian" in all their tracks, wherever they went. A consciousness of and a pride in this fact reveals itself even in their highest culture (for example, when Pericles says to his Athenians, in that famous Funeral Speech, "our audacity has broken a way through to every land and sea, putting up permanent memorials to itself for good and ill."). This "audacity" of the noble races, mad, absurd, sudden in the way it expresses itself, its unpredictability, even the improbability of its undertakings—Pericles emphatically praises the rayhumia[mental balance, freedom from anxiety] of the Athenians—its indifference to and contempt for safety, body, life, comfort, its fearsome cheerfulness and the depth of its joy in all destruction, in all the physical pleasures of victory and cruelty—everything summed up for those who suffer from such audacity in the image of the "barbarian," the "evil enemy," something like the "Goth" or the "Vandal."
The deep, icy mistrust which the German evokes, as soon as he comes to power—even today—is still an after-effect of that unforgettable terror with which for a century Europe confronted the rage of the blond German beast (although there is hardly any idea linking the old Germanic tribes and we Germans, let alone any blood relationship).
Once before I have remarked on Hesiod's dilemma when he thought up his sequence of cultural periods and sought to express them as Gold, Silver, and Iron. But he didn't know what to do with the contradiction presented to him by the marvelous but, at the same time, so horrifying world of Homer, other than to make two cultural ages out of one, then placing one after the other—first the age of Heroes and Demi-gods from Troy and Thebes, just as that world remained as a memorial for the noble races who had their own ancestors in it, and then the Iron Age, as that same world appeared to the descendants of the downtrodden, exploited, ill treated, those carried off and sold—a metallic age, as mentioned: hard, cold, cruel, empty of feeling and scruples, with everything crushed and covered over in blood.
Assuming as true what in any event is taken as "the truth" nowadays, that it is precisely the purpose of all culture to breed a tame and civilized animal, a domestic pet, out of the beast of prey "man," then we would undoubtedly have to consider the essential instruments of culture all those instinctive reactions and resentments by means of which the noble races with all their ideals were finally disgraced and overpowered—but that would not be to claim that the bearers of these instincts also in themselves represented culture. It would much rather be the case that the opposite is not only probable—no! nowadays it is visibly apparent. These people carrying instincts for oppression and a lust for revenge, the descendants of all European and non-European slavery, and all pre-Aryan populations in particular, represent the regression of mankind! These "instruments of culture" are a disgrace to humanity, more a reason to be suspicious of or a counterargument against "culture" in general!
We may well be right when we hang onto our fear of the blond beast at the base of all noble races and keep up our guard. But who would not find it a hundred times better to fear if he could at the same time be allowed to admire, rather than not fear and no longer be able to rid himself of the disgusting sight of the failures, the stunted, the emaciated, the poisoned? Is not that our fate? Today what is it that constitutes our aversion to "man"? For we suffer from man—there's no doubt of that. It's not a matter of fear, rather it's the fact that we have nothing more to fear from men, that the maggot "man" is in the foreground swarming around, that the "tame man," the hopelessly mediocre and unpleasant man, has already learned to feel that he is the goal, the pinnacle, the meaning of history, "the higher man,"—yes indeed, he even has a certain right to feel that about himself, insofar as he feels separate from the excess of failed, sick, tired, spent people, who are nowadays beginning to make Europe stink, and feels at least somewhat successful, at least still capable of life, at least able to say "yes" to life.
At this point I won't suppress a sigh and a final hope. What is it exactly than I find so totally unbearable? Something which I cannot deal with on my own, which makes me choke and feel faint? Bad air! Bad air! It's when something which has failed comes close to me, when I have to smell the entrails of a failed soul! Apart from that what can we not endure by way of need, deprivation, bad weather, infirmity, hardship, loneliness? Basically we can deal with all the other things, born as we are to an underground and struggling existence. We come back again and again into the light, we live over and over our golden hour of victory—and then we stand there, just as we were born, unbreakable, tense, ready for something new, for something even more difficult, more distant, like a bow which all trouble only serves to pull more tight.
But if there are heavenly goddesses who are our patrons, beyond good and evil, then from time to time grant me a glimpse, grant me a single glimpse into something perfect, something completely developed, something happy, powerful, triumphant, from which there is still something to fear! A glimpse of a man who justifies humanity, of a complementary and redeeming stroke-of-luck of a man, for whose sake we can hang onto a faith in humanity! . . .
For matters stand like this: the diminution and levelling of European man hides our greatest danger, for the sight of him makes us tired. We don't see anything today which wants to be greater. We suspect that things are constantly going down and down into something thinner, more good-natured, more prudent, more comfortable, more mediocre, more indifferent, more Chinese, more Christian—humanity, there is no doubt, is becoming constantly "better" . . . Europe's fate lies right here. With our fear of mankind we also have lost our love for mankind, our reverence for mankind, our hopes for mankind, even our will to be mankind. A glimpse at man makes us tired—what is today's nihilism, if it is not that? . . . We are weary of man.
But let's go back: the problem with the other origin of the "good," of the good as the man of resentment has imagined it for himself, demands some conclusion. That lambs are annoyed at the great predatory birds is not a strange thing, and it provides no reason for holding anything against these large birds of prey, because they snatch away small lambs. And if the lambs say among themselves "These predatory birds are evil—and whoever is least like a predatory bird—and especially who is like its opposite, a lamb—shouldn't that animal be good?" there is nothing to find fault with in this setting up of an ideal, except for the fact that the birds of prey might look down with a little mockery and perhaps say to themselves "We are not at all annoyed with these good lambs—we even love them. Nothing is tastier than a tender lamb."
To demand that strength does not express itself as strength, that it must not consist of a will to overpower, a will to throw down, a will to rule, a thirst for enemies and opposition and triumph—that is as unreasonable as to demand that weakness express itself as strength. A quantum of force is just such a quantum of drive, will, action—indeed, it is nothing but these drives, willing, and actions in themselves—and it cannot appear as anything else except through the seduction of language (and the fundamental errors of reason petrified in it), which understands and misunderstands all action as conditioned by something which causes actions, by a "Subject."
In fact, in just the same way as people separate lightning from its flash and take the latter as an action, as the effect of a subject, which is called lightning, so popular morality separates strength from the manifestations of that strength, as if behind the strong person there is an indifferent substrate, which is free to manifest strength or not. But there is no such substrate, there is no "being" behind the doing, acting, becoming. "The doer" is merely invented after the fact—the act is everything. People basically duplicate the event: when they see lightning, well, that is an action of an action: they set up the same event first as the cause and then again as its effect.
Natural scientists are no better when they say "Force moves, force causes" and so on—our entire scientific knowledge, for all its coolness, its freedom from feelings, still remains exposed to the seductions of language and has not gotten rid of the changelings foisted on it, the "Subject" (the atom, for example, is such a changeling, like the Kantian "Thing in itself"): it's no wonder that the repressed, secretly smouldering feelings of rage and hate use this belief for themselves and, in fact, maintain a faith in nothing more strongly than in the idea that the strong are free to be weak and predatory birds are free to be lambs—and in so doing, they arrogate to themselves the right to blame the birds of prey for being birds of prey . . .
When the oppressed, the downtrodden, the conquered say to each other, with the vengeful cunning of the powerless, "Let us be different from evil people, namely, good! And that man is good who does not overpower, who hurts no one, who does not attack, who does not retaliate, who hands revenge over to God, who keeps himself hidden, as we do, who avoids all evil and demands little from life in general—like us, the patient, humble, and upright"—what that amounts to, coolly expressed and without bias, is essentially nothing more than "We weak people are merely weak. It's good if we do nothing, because we are not strong enough."
But this bitter state, this shrewdness of the lowest ranks, which even insects possess (for in great danger they stand as if they were dead in order not to do "too much"), has, thanks to the counterfeiting and self-deception of powerlessness, dressed itself in the splendour of a self-denying, still, patient virtue, just as if the weakness of the weak man himself—that means his essence, his actions, his entire single, inevitable, and irredeemable reality—is a voluntary achievement, something willed, chosen, an act, something of merit. This kind of man needs to believe in the disinterested, freely choosing "subject" out of his instinct for self-preservation, self-approval, in which every falsehood is habitually sanctified. The subject (or, to use a more popular style, the soul) has up to now probably been the best principle for belief on earth, because, for the majority of the dying, the weak, and the downtrodden of all sorts, it makes possible a sublime self-deception which establishes weakness itself as freedom and their being like this or that as something meritorious.
Is there anyone who would like to take a little look down on and under that secret how man fabricates an ideal on earth? Who has the courage for that? Come on, now! Here is an open glimpse into this dark workshop. Just wait a moment, my dear Mr. Presumptuous and Nosy: your eye must first get used to this artificial flickering light. . . So, enough! Now speak! What's going on down there? Speak up. Say what you see, man of the most dangerous curiosity—now I'm the one who's listening.—
—"I see nothing, but I hear all the more. It is a careful and crafty light rumour-mongering and whispering from every nook and cranny. It seem to me that people are lying; a sugary mildness clings to every sound. Weakness is going to be falsified into something of merit. There's no doubt about it—things are just as you said they were."
"—and powerlessness which does not retaliate is being falsified into 'goodness,' anxious baseness into 'humility,' submission before those one hates to 'obedience' (of course, obedience to the one who, they say, commands this submission—they call him God). The inoffensiveness of the weak man, even cowardice, in which he is rich, his standing at the door, his inevitable need to wait around—here these acquire good names, like 'patience' and are called virtue. That incapacity for revenge is called the lack of desire for revenge, perhaps even forgiveness ('for they know not what they do—only we know what they do!'). And people are talking about 'love for one's enemy'—and sweating as they say it."
"They are miserable—there's no doubt about that—all these rumour mongers and counterfeiters in the corners, although crouched down beside each other in the warmth—but they are telling me that their misery is God's choice, His sign. One beats the dog one loves the most. Perhaps this misery may be a preparation, a test, an education, perhaps it is even more—something that will one day be rewarded and paid out with huge interest in gold, no, in happiness. They call that 'blessedness'."
"Now they are telling me that they are not only better than the powerful, the masters of the earth, whose spit they have to lick (not out of fear, certainly not out of fear, but because God commands that they honour those in authority)—they are not only better than these but they also are 'better off,' or at any rate will one day have it better. But enough! Enough! I can't endure it any more. Bad air! Bad air! This workshop where man fabricates ideals—it seems to me it stinks from nothing but lies."
—No! Just wait a minute more! So far you haven't said anything about the masterpiece of these black magicians who know how to make whiteness, milk, and innocence out of every blackness. Have you not noticed the perfection of their sophistication, their most daring, refined, most spiritual, most fallacious artistic attempt. Pay attention! These cellar animals full of vengeance and hatred—what are they making right now out of that vengeance and hatred? Have you ever heard these words? If you heard only their words, would you suspect that you were completely among men of resentment?
—"I understand. Once again I'll open my ears (oh! oh! oh! and hold my nose). Now I'm hearing for the first time what they've been saying so often: 'We good men—we are the righteous'—what they demand they don't call repayment but 'the triumph of righteousness.' What they hate is not their enemy. No! They hate 'injustice,' 'godlessness.' What they believe and hope is not a hope for revenge, the intoxication of sweet vengeance (something Homer called 'sweeter than honey') but the victory of God, the righteous God, over the godless. What remains for them to love on earth are not their brothers in hatred but their 'brothers in love,' as they say, all the good and righteous people on the earth."
—And what do they call what serves them as a consolation for all the suffering of life—their phantasmagoria of future blessedness which they are expecting?
—"What that? Am I hearing correctly? They call that 'the last judgment,' the coming to their kingdom, the coming of 'God's kingdom'—but in the meanwhile they live 'in faith,' 'in love,' 'in hope.'"
Belief in what? Love for what? Hope for what? There's no doubt that these weak people at some time or another also want to be the strong people, some day their "kingdom" is supposed to arrive—they call it simply "the kingdom of God," as I mentioned. People are indeed so humble about everything! But to experience that, one has to live a long time, beyond death—in fact, people must have an eternal life, so they can win eternal recompense in the "kingdom of God" for this earthly life "in faith, in love, in hope." Recompense for what? Recompense through what?
In my view, Dante was grossly in error when, with an ingenuity meant to inspire terror, he set that inscription over the gateway into his hell: "Eternal love also created me." Over the gateway into the Christian paradise and its "eternal blessedness" it would, in any event, be more fitting to set the inscription "Eternal hate also created me"—provided it's all right to set a truth over the gateway to a lie!
For what is the bliss of this paradise? . . . We might well have guessed that already, but it is better for it to be expressly described for us by an authority we cannot underestimate, Thomas Aquinas, the great teacher and saint: . "Beati in regno coelesti", he says, as gently as a lamb, "videbunt poenas damnatorum, ut beatitudo illis magis complaceat" ["In the kingdom of heaven the blessed will see the punishment of the damned, so that they will derive all the more pleasure from their heavenly bliss."]
Or do you want to hear that message in a stronger tone, something from the mouth of a triumphant father of the church [Tertullian], who warns his Christians against the cruel sensuality of the public spectacles. But why? "Faith offers much more to us," he says, "something much stronger. Thanks to the redemption, very different joys are ours to command; in place of the athletes, we have our martyrs. If we want blood, well, we have the blood of Christ . . . But think of what awaits us on the day of his coming again, his triumph!"—and now he takes off, the rapturous visionary:
"At enim supersunt alia spectacula, ille ultimus et perpetuus judicii dies, ille nationibus insperatus, ille derisus, cum tanta saeculi vetustas et tot ejus nativitates uno igne haurientur. Quae tunc spectaculi latitudo! Quid admirer! Quid rideam! Ubi gaudeam! Ubi exultem, spectans tot et tantos reges, qui in coelum recepti nuntiabantur, cum ipso Jove et ipsis suis testibus in imis tenebris congemescentes! Item praesides (the provincial governors) persecutores dominici nominis saevioribus quam ipsi flammis saevierunt insultantibus contra Christianos liquescentes! Quos praeterea sapientes illos philosophos coram discipulis suis una conflagrantibus erubescentes, quibus nihil ad deum pertinere suadebant, quibus animas aut nullas aut non in pristine corpora redituras affirmabant! Etiam poëtàs non ad Rhadamanti nec ad Minois, sed ad inopinati Christi tribunal palpitantes! Tunc magis tragoedi audiendi, magis scilicet vocales (better voices since they will be screaming in greater terror) in sua propria calamitate; tunc histriones cognoscendi, solutiores multo per ignem; tunc spectandus auriga in flammea rota totus rubens, tunc xystici contemplandi non in gymnasiis, sed in igne jaculati, nisi quod ne tunc quidem illos velim vivos, ut qui malim ad eos potius conspectum insatiabilem conferre, qui in dominum desaevierung. 'Hic est ille, dicam, fabri aut quaestuariae filis (in everything that follows and especially in the well-known description of the mother of Jesus from the Talamud Tertullian from this point on is referring to the Jews), sabbati destructor, Samarites et daemonium habens. Hic est, quem a Juda redemistis, hic est ille arundine et colaphis diverberatus, sputamentis dedecoratus, felle et aceto potatus. Hic est, quem clam discentes subripuerunt, ut resurrexisse dicatur vel hortulanus detraxit, ne lactucae suae frequentia commeantium laederentur.' Ut talia spectes, ut talibus exultes, quis tibi praetor aut consul aut quaestor aut sacerdos de sua liberalitate praestabit? Et tamen haec jam habemus quodammodo per fidem spiritu imaginante repraesentata. Ceterum qualia illa sunt, quae nec oculus vidit nec auris audivit nec in cor hominis ascenderunt" (1. Cor. 2, 9.) Credo circo et utraque cavea (first and fourth tier of seats or, according to others, the comic and tragic stages). Through faith: that's how it's written.
[However there are other spectacles—that last eternal day of judgment, ignored by nations, derided by them, when the accumulation of the years and all the many things which they produced will be burned in a single fire. What a broad spectacle then appears! How I will be lost in admiration! How I will laugh! How I will rejoice! I'll be full of exaltation then as I see so many great kings who by public report were accepted into heaven groaning in the deepest darkness with Jove himself and alongside those very men who testified on their behalf! They will include governors of provinces who persecuted the name of our lord burning in flames more fierce that those with which they proudly raged against the Christians! And those wise philosophers who earlier convinced their disciples that god was irrelevant and who claimed either that there is no such thing as a soul or that our souls would not return to their original bodies will be ashamed as they burn in the conflagration with those very disciples. And the poets will be there, shaking with fear, not in front of the tribunal of Rhadamanthus or Minos, but of the Christ they did not anticipate! Then it will be easier to hear the tragic actors, because their voice will be more resonant in their own calamity (better voices since they will be screaming in greater terror). The actors will then be easier to recognize, for the fire will make them much more agile. Then the charioteer will be on show, all red in a wheel of fire, and the athletes will visible, thrown, not in the gymnasium, but in the fire, unless I have no wish to look at their bodies then, so that I can more readily cast an insatiable gaze on those who raged against our Lord. "This is the man," I will say, "the son of a workman or a prostitute (in everything that follows and especially in the well-known description of the mother of Jesus from the Talamud Tertullian from this point on is refering to the Jews), the destroyer of the sabbath, the Samaritan possessed by the devil. He is the man whom you brought from Judas, the man who was beaten with a reed and with fists, reviled with spit, who was given gall and vinegar to drink. He is the man whom his disciples took away in secret, so that it could be said that he was resurrected or whom the gardener took away, so that the crowd of visitors would not harm his lettuces." What praetor or consul or quaestor or priest will from his own generosity grant you the sight of such things or the exultation in them? And yet we already have these things to a certain extent through faith, represented to us by the imagining spirit. Besides, what sorts of things has the eye not seen or the ear not heard and what sorts of things have not arisen in the human heart (1. Cor. 2, 9)? I believe these are more pleasing than the race track and the circus and both enclosures (first and fourth tier of seats or, according to others, the comic and tragic stages). Through faith: that's how it's written.
Let's bring this to a conclusion. The two opposing values "good and bad," "good and evil" have fought a fearful battle on earth for thousands of years. If it's true that the second value in each pair has for a long time had the upper hand, there's no lack of places where the battle goes on without a final decision. We ourselves could say that in the intervening time the battle has been constantly drawn to greater heights and greater depths and has become continuously more spiritual, so that nowadays there is perhaps no more decisive mark of a "higher nature," a more spiritual nature, than that it is split in this sense and is truly a battleground for these opposites.
The symbol of this battle, written in a script which has remained legible through all human history up to the present, is called "Rome Against Judea, Judea Against Rome." To this point there has been no greater event than this war, this posing of a question, the contradiction between these deadly enemies. Rome felt that the Jews were something contrary to nature itself, something like its monstrous polar opposite. In Rome the Jew was considered "guilty of hatred again the entire human race." And that view was correct, to the extent we are right to link the health and the future of the human race to the unconditional rule of aristocratic values, the Roman values.
By contrast, how did the Jews feel about Rome? We can guess that from a thousand signs, but it is sufficient to treat oneself again to the Apocalypse of John, that wildest of all written outbursts which vengeance has on its conscience. (Incidentally, we must not underestimate the deep consistency of the Christian instinct, when it ascribed this very book of hate to the name of the disciple of love, the same man to whom it attributed that wildly enthusiastic amorous gospel—there is some truth to this, no matter how much literary counterfeiting may have been necessary for that book to make its point)
The Romans were the strong and noble men, stronger and nobler than any people who'd lived on earth up until then—or even than any people who'd ever been dreamed up. Everything they left as remains, every inscription, is delightful, provided that we can guess what was doing the writing there. By contrast, the Jews were par excellence that priestly people of resentment, who possessed an unparalleled genius for popular morality. Just compare people with related talents—say, the Chinese or the Germans—with the Jews in order to understand who's in first place and who's fifth.
Which of them has proved victorious for the time being, Rome or Judea? Surely there's not the slightest doubt. Just think of who it is people bow down to today in Rome as the personification of all the highest values—and not only in Rome, but in almost half the earth, everywhere where people have become merely tame or want to become tame—in front of three Jews, as we know, and one Jewess (before Jesus of Nazareth, the fisherman Peter, the carpet worker Paul, and the mother of the first-mentioned Jesus, named Mary).
Now, this is very remarkable: without doubt Rome has been conquered. It's true that in the Renaissance there was a brilliant, incredible re-awakening of the classical ideal, the noble way of evaluating everything. Rome itself behaved like someone who'd woken up from a coma induced by the pressure of the new Jewish Rome built over it, which looked like an ecumenical synagogue and was called "the church." But immediately Judea triumphed again, thanks to that basically vulgar (German and English) movement of resentment, which we call the Reformation, together with what had to follow as a consequence, the re-establishment of the church, as well as the re-establishment of the old grave-like tranquillity of classical Rome.
In what is an even more decisive and deeper sense, Judea once again was victorious over the classical ideal at the time of the French Revolution. The last political nobility which we had in Europe, in seventeenth and eighteenth century France, broke apart under the instinct of popular resentment—never on earth has there ever been heard a greater rejoicing, a noisier enthusiasm! It's true that in the midst of all this the most dreadful and most unexpected events took place: the old ideal itself stepped physically and with unheard-of splendour before the eyes and the conscience of humanity—and once again stronger, simpler, and more urgently than ever rang out, in opposition to the old lie, to the slogan of resentment about the privileged rights of the majority, in opposition to that will for a low condition, abasement, equality, for the decline and extinguishing of mankind—in opposition to all that there rang out a fearsome and delightful counter-slogan about the privileged rights of the few! As a last signpost to a different road, Napoleon appeared, the most singular and late-born man there ever was, and in him the problem of the inherently noble ideal was made flesh. We might well think about what sort of a problem that is: Napoleon, this synthesis of the inhuman and the superhuman . . .
Did that end it? Was that greatest of all opposition of ideals thus set ad acta[aside] for all time? Or was it merely postponed, postponed indefinitely? . . . Some day, after a much longer preparation, will an even more fearful blaze from the old fire not have to take place? More than that: isn't this exactly something we should hope for with all our strength—even will it or demand it? . . .
Anyone who, like my readers, begins to reflect on these points and to think further will have difficulty coming to a quick conclusion—reason enough for me to come to a conclusion myself, provided that it has been crystal clear for a long time what I want, precisely what I want with that dangerous slogan which is written on the body of my last book: "Beyond Good and Evil" . . . at least this does not mean "Beyond Good and Bad"
I'm taking the opportunity provided to me by this essay publicly and formally to state a desire which I have expressed up to now only in occasional conversations with scholars, namely, that some philosophical faculty might set up a series of award-winning academic essays in order to serve the advancement of studies into the history of morality. Perhaps this book will serve to provide a forceful push in precisely such a direction. Bearing in mind a possibility of this sort, let me suggest the following question—it merits the attention of philologists and historians as much as of professional philosophical scholars:
What indications does the scientific study of language, especially etymological research, provide for the history of the development of moral concepts?
On the other hand, it is, of course, just as necessary to attract the participation of physiologists and doctors in this problem (of the value of all methods of evaluating up to now). That task might be left to the faculties of philosophers, after they have completely succeeded in converting the relationship between philosophy, physiology, and medicine, originally so aloof, so mistrusting, into the most friendly and fruitful exchange. In fact, all the tables of value, all the "you should's," which history or ethnology knows about, need, first and foremost, illumination and interpretation from physiology, rather than from psychology.
And all of them similarly await a critique from the point of view of medical science. The question "What is this or that table of values and 'morality' worth?" will be set under the different perspectives. For we cannot analyze the question "Value for what?" too finely. Something, for example, that has an apparent value with respect to the longest possible capacity for survival of a race (or for an increase in its power to adapt to a certain climate or for the preservation of the greatest number) has nothing like the same value, if the issue is one of developing a stronger type. The well-being of the majority and the well-being of the fewest are opposing viewpoints for values. We will leave it to the naïveté of English biologists to take the first as the one of inherently higher value. All the sciences from now on have to advance the future work of the philosopher, understanding this task as solving the problem of value, determining the rank order of values.
[Back to Table of Contents for Genealogy of Morals]
[Back to Preface]
[Continue to Second Essay]
[Back to johnstonia Home Page]